Guide Brazilian Jive (Reverb)

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Entry is by donation. For the full line-up, head to www. Sydney duo Bag Raiders have well and truly announced their return to the scene with their debut eponymous album ready to be unleashed onto the world this month. To celebrate, the boys will hit the road showcasing their unique brand of hands-in-the-air pop to the hordes of people salivating at the mouth with excitement.

Jackson would write, narrate, and star in the cult comedy classic, Friday. But after acting in over 26 movies, the performer cites his initial experience as a career highlight. I learned so much on that set, working with some great actors. If you want good movies, you better write your own. Figure out which direction.

Those songs are usually real experimental. Then I do records I have fun with. West side stories Arguably the most influential purveyor of rap music on the planet, Ice Cube is unquestionably a living icon. Ahead of his visit to Newcastle, Jackson sat down with Nick Milligan to discuss his illustrious career. I like to mix it up. Do you feel you have achieved everything you have wanted to in these 10 years?

My expectations were never that high from the start. We knew the music was great and wherever it took us, we were happy with where we ended up. For those first three years we were everywhere at once so, from doing that we had some amazing experiences all compacted into a short period of time. How has he fitted in? Over time you can get a little bit too serious.

I think Wolfmother has opened up a lot now. Basically, I had the opening riff and a few other parts on a demo that Slash had put together and the day before I went into the studio I went over the song and added a few parts. I met up with Slash that night, played him my ideas and he was into it.

We jammed it about two to three times, then straight into the studio and tracked it in one day. Too easy. On the Wolfmother forum, you mentioned that an EP or album could be released before the end of the year. Is this still on track? Yes, definitely. I think we will record everything at home and then fix it in the studio. My main vision is to get solar panels installed in the house.

Can we expect a taste of the new material? How much freedom did Slash allow you with your vocals? Against e h t Grain Since forming in , Against Me! With an Australian tour set for late , Against Me!

What would you say were the influences behind White Crosses? Can you describe the writing process for the new album? We had been on the road for probably about a year-and-a-half and I had started writing for White Crosses as the New Wave touring cycle was ending. We moved to Saint Augustine, to a little coastal town, and just wrote the majority of the record there. Do you find the writing process for the record was different with a large label such as Sire, as compared to the independent labels that previously represented you?

Well some things yes, some things no. I feel that the biggest difference, and probably the obvious one, is when you do move from label to label, you literally are working with different people and some people are better at doing certain jobs than others. Do you still feel like an independent artist? There is no real difference, especially in this day and age, between indies and the majors. I mean hell, I feel like some indies are currently bigger than a lot of the majors. New Wave was labelled the best album of by Spin Magazine, are you hoping for similar recognition with this album?

Well, you know you have to take that stuff for what it is. I would be willing to bet money that they are not going to do that with this record! Was it a conscious decision of yours to be a predominantly touring band? Yeah for sure, you know I really start to get anxiety from having too much stuff. If the country would adopt me, I would move! Against Me! White Crosses is out now through Warner Music. That sort of mid-period Dylan was a definite starting point for me on this record.

You have to be incredibly powerful to pull off a strong political message. I want it to be like a headphone. He spent his time away recruiting a new band, touring with his uncle Paul Kelly, and inventing tall-tales to sing about. Kelly spoke to John Corrigan about the influences and origins of the new record, climate change and Bob Dylan.

It takes a vivid imagination to invent these narratives. It just seems to be the way I happen to do it. It was just incredible and it was that moment of the night. It really gave me the idea of the more criminal element of the record, if you know what I mean. That really got me going on this record; it really gives you a feeling. The record starts off really full on and then by the end of it I have come to some kind of resolution.

Maybe I was trying to cheer myself up; songs can be like little messages to yourself sometimes. Carey spoke to Matt Petherbridge about growing up in the music industry and giving David Guetta a run for his money. Are you touring? Actually, this is the studio month for me.

What motivates and inspires your creative process? The main thing that inspires me is playing live and seeing what the people in the clubs are into and what they want to hear. Will you be road testing any new material at the festival? Yeah, of course! Your songs regularly appear on dance music compilations for labels such as Ministry of Sound and Vicious. Have you ever considered making a full Ian Carey Project album? Since David Guetta started working with the urban artists, his career has really taken off over in the US.

As a child, you toured with your father, who was a live sound engineer for bands such as Kool and the Gang and the Duke Ellington Orchestra. How did you enjoy growing up in the music industry? Those are just two of many, many artists he toured with back in the 70s and 80s. I was touring with my father from a young age; it gave me a good perspective on a career in the music industry.

When I was 18, I started DJing, I dropped out of university, and since then my whole focus has just been music. As an up-and-coming artist, how difficult was it to release your very first single? Back then, if you made a good record that was clubworthy, you could get it signed no problem!

Now everybody has the tools to make music, everybody can sell it online. Your past tour schedules read like the ultimate tour package! Do you often get to see the sights on tour? If you could choose anyone, alive or dead, who would be your dream collaborator? So does Michael Jackson. Thriller was the first real pop album that I had as a kid.

Just be tenacious! Make music and play gigs and get your name out there, really be relentless about it. How was Splendour? I read that you guys joined Mumford and Sons on stage for one of their songs. Yeah mate, that was incredible. Had any of you guys been before as punters? For me, this was the first Splendour experience. I think a couple of the guys had been along before, at least to one or two.

We got ourselves right in there and we camped amongst the punters. We felt like we were just at the festival, to be honest, because we played on Sunday in the early afternoon. We got up there on Friday night and we just hung around and went along to different shows across the course of the weekend. There seems to be a fairly public chemistry between the bands and artists playing the style of music Boy and Bear plays. Is this the case, or are people reading too much into it? We really have gotten along well with the other bands.

All of us met Marcus Mumford over there, then they came here and we played with them here. But it expands into the Australian scene,. On the surface though, Boy and Bear has only been going for just over a year. New Young Emperors Coming off their debut EP, With Emperor Antarctica, folksters Boy and Bear have been juggling writing and recording with a hectic touring schedule supporting some of the biggest acts on the international stage. Jon Hart, multi-instrumentalist in the Sydney five-piece, chats with Nick Bielby about making friends, playing festivals and hearing Boy and Bear songs on the radio.

By a lot of standards, the rise of Boy and Bear seems to be happening quite rapidly. How have you guys been dealing with this? Was this a conscious decision? Yeah, I think it was. It seemed sort of natural to make use of the fact that everybody in the band can sing. Any word on a full-length album? With Emperor Antartica is out now through Island Records. Dominic, who arranges our harmonies.

He studies their harmonies. We spent a lot of time rehearsing harmonies. Was the album conceived as a night record? How does that make you feel? We did it independently, but they just picked up that song through Triple J Unearthed. What was it like working with Scott? It was really fun! Little Red has four songwriters. How did this inform the creative process for the new album? Remember Me Two years after their infectious debut release, Listen to Little Red, Little Red have re-emerged with a more refined and soulful second album, Midnight Remember.

They bring songs to the band, with the melody and the chord progression and then we just get up and play. Each one of us has different. Did the band approach the use of harmony in a different way this time around? On our first album, there were big harmonies everywhere… we were obsessed with it!

The Beach Boys are the biggest influence on. You guys are touring around Australia until the end of the year. Will you be touring overseas? We are definitely going overseas. So many bands just compact their overseas shows into big cities. Midnight Remember is out now through Shock. Follow us on Twitter.

At no point does this effort come off as overblown or insincere and the record is truly a kaleidoscopic listening experience. Expect a big for Birds of Tokyo. The EP sees Bull move away from his trademark soul sound and more towards a pop-rock product, which proves to be a step in the right direction, as the results are quite enjoyable. If You Have No Shame takes the genre of punk and tears down all the unnecessary frills.

Gone are the screaming and violent lyrics, resulting in a true-to-form punk album that contains the traditional essence of the genre. The Shake Up takes us back to the good old days of Sonic Youth and The Saints with their debut and should be commended on their efforts. The potential for for the band to become a mainstay in Australian music is all over this release. The record moves from one could-be-single to the next without lull, fault or failure. This bunch of songs is both catchy and satisfyingly strange without over-doing it.

The record speaks volumes of itself and its creator. I Believe You Liar is simply a pleasure from start to finish. A real slow burner of an album — but it is well worth the effort. No doubt Messenger will be a much critic-hyped affair so, brace yourself for more Dylan analogies. I say that because the band has already received flack for their new record. Hurley sees Weezer take a flashback to their earlier sounds — grinding rock guitars and quirky lyrics wrapped up in catchy pop sensibilities.

It will, however, compel you to get up and dance, rock out, bop your head or tap your foot. Hurley will move you. Inspired by the 80s rather than the 50s and 60s, Little Red teamed up with producer Scott Horscroft The Presets, Sleepy Jackson, Silverchair to create a slicker, more spacious pop delicacy. The album flows with a moody intensity whose songs, all covers, are treated with tender care by Plant and chief collaborator, Patty Griffin.

The centrepieces of the album, however, are the two tracks sourced from U. I was excited to see what the fuss was about, and at first, I was disappointed. However, on further listens, their latest offering has grown on me. A lot. Sometimes the Stars see The Audreys dabble in jazz-infused folk music perfect for that lazy Sunday afternoon with a glass of wine and contemplating the world. It takes you to time and place that you never knew existed.

This is a beautiful and delicate album. It gets better with each listen, as it slowly reveals more of itself. Every song has its own life, breath and energy; built upon heartbeat percussion, guitar riffs that crash upon your chest, inundating your senses, and fervent vocals dripping with emotion. There are elements that are recognisable from some of their previous work, while at the same time a completely new sound is introduced. However, there are also sounds on the album that are so different from anything that they have ever done before.

Overall, the album is superbly crafted and sees Linkin Park return to the top of their game. The difference comes from the breadth of songwriting and musical styling that, no doubt, comes from the freedom of a solo project. However, The Sword are one of the best. Singer, J. Cronise begins Warp Riders channelling Ozzy although, in the later tracks he adds some colour reminiscent of the great Phil Lynott.

Frontman M. Instead of ending in a whimper like Led Zeppelin did 30 years ago, Avenged Sevenfold have created a record laced with ruminations of life and death, confronting their grief and mortality on Nightmare. If they choose to disband after their touring commitments, it would be a damn shame. His sophomore solo album, Imperfect Harmonies, includes 11 songs that explore the frustrations, contradictions and injustices encountered within his life, and he does so in such epic proportions with his trademark falsetto voice.

Both of these tracks do justice to the musical standard that he has created for himself as a solo artist. The five-track collection has both earthy grooves about seashells, love and money; as well as grungy tracks straight from the garage. Without the typical bongo and steel drumming usually found in all things reggae, One Jonathan rely upon dynamic vocals and distorted guitar to assume their beach-bum, lie-in-the-sun persona.

That is for free in a cheap bar and after a few drinks. For the most part, it is bland and repetitive. Quality pub music is the most generous title that comes to mind. This gorgeous tale, of what I can only assume is lost hope and loneliness, has genuine feeling — something the album generally lacks throughout. It goes without saying that music and fashion go hand-in-hand, but to try and make a business out of this relationship is not necessarily an easy move. With Abicus celebrating a decade on Darby Street, Cooks Hill, it feels an appropriate time to ask founder Tiffany Minell about how to make the fashion-music marriage work.

By Kevin Bull. When the original idea of opening a clothing store in Newcastle came upon you, what did you imagine? Fashion was very new to us at the time. We opened in with very little start-up capital and only a small rack of clothes and a go-to selection of CDs and vinyl. Why Darby Street? Darby Street had such a fantastic vibe to it. Darby Street was much quieter, there were less retail and less eateries. Over the years, office spaces have been converted and old housing has been demolished to make room for the demand of new commercial spaces.

As a small business owner, and specifically a clothing store owner, what were the hardest obstacles in these early days? Stock purchasing has always been somewhat of a gamble and obstacle. Not outlining a budget when ordering in the early days often led to over spending, in turn being over stocked. Are they the same difficulties as you have now? Absolutely, fashion buying is very difficult to get per cent right! Often we order six to nine months in advance. Knowing the specific size break, colour and styles of complete sell through items is tricky.

Over time it gets much easier to gauge but, I still buy some questionable styles! What are you looking for in a label to stock? It amazes me just how many new labels are popping up every other week. What is your opinion on the state of the Australian fashion industry? I think the Aussie fashion industry is thriving again, which is a great feat considering many retail stores and clothing labels ceased to exist after the GFC. There are many inspiring individuals out there involved in all areas of fashion styling, photography, blogging, retail and designing.

Was selling music always part of the plan? Yes, it definitely was.


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The initial love was music. Cities today, especially those undergoing rapid growth and transformation, seem to defy traditional principles of Cities today, especially those undergoing rapid growth and transformation, seem to defy traditional principles of urbanism and urban analysis. Bangkok, the City of Angels, the capital of Thailand, and an international metaphor of development gone wrong, presents an extreme version Ancient and strange, beetles call to mind a lost world of Egyptian magic and belief—a In Beetle, Adam Dodd offers a richly illustrated, engaging account of the natural and cultural Michel Foucault.

With Michel Foucault, Reaktion Books introduces an exciting new series that brings the work of With Michel Foucault, Reaktion Books introduces an exciting new series that brings the work of major intellectual figures to general readers, illuminating their groundbreaking ideas through concise biographies and cogent readings. There is no better thinker than Foucault with which to Modernism in Design. Ten new and important essays on design cover Modernism's fortunes in Germany, Italy, Sweden, Britain, Ten new and important essays on design cover Modernism's fortunes in Germany, Italy, Sweden, Britain, Spain, Belgium and the USA; they range in subject matter from world fairs and everyday domestic objects to American West coast architecture and French and Reaktion Books, Limited.

Reaktion Books - Reverb Series. I met up with Slash that night, played him my ideas and he was into it. We jammed it about two to three times, then straight into the studio and tracked it in one day. Too easy. On the Wolfmother forum, you mentioned that an EP or album could be released before the end of the year.

Is this still on track? Yes, definitely. I think we will record everything at home and then fix it in the studio. My main vision is to get solar panels installed in the house. Can we expect a taste of the new material? How much freedom did Slash allow you with your vocals? Against e h t Grain Since forming in , Against Me! With an Australian tour set for late , Against Me! What would you say were the influences behind White Crosses?

Can you describe the writing process for the new album? We had been on the road for probably about a year-and-a-half and I had started writing for White Crosses as the New Wave touring cycle was ending. We moved to Saint Augustine, to a little coastal town, and just wrote the majority of the record there.

Do you find the writing process for the record was different with a large label such as Sire, as compared to the independent labels that previously represented you? Well some things yes, some things no. I feel that the biggest difference, and probably the obvious one, is when you do move from label to label, you literally are working with different people and some people are better at doing certain jobs than others. Do you still feel like an independent artist?

There is no real difference, especially in this day and age, between indies and the majors. I mean hell, I feel like some indies are currently bigger than a lot of the majors. New Wave was labelled the best album of by Spin Magazine, are you hoping for similar recognition with this album? Well, you know you have to take that stuff for what it is. I would be willing to bet money that they are not going to do that with this record! Was it a conscious decision of yours to be a predominantly touring band?

Yeah for sure, you know I really start to get anxiety from having too much stuff. If the country would adopt me, I would move! Against Me! White Crosses is out now through Warner Music. That sort of mid-period Dylan was a definite starting point for me on this record. You have to be incredibly powerful to pull off a strong political message. I want it to be like a headphone. He spent his time away recruiting a new band, touring with his uncle Paul Kelly, and inventing tall-tales to sing about.

Kelly spoke to John Corrigan about the influences and origins of the new record, climate change and Bob Dylan. It takes a vivid imagination to invent these narratives. It just seems to be the way I happen to do it. It was just incredible and it was that moment of the night. It really gave me the idea of the more criminal element of the record, if you know what I mean. That really got me going on this record; it really gives you a feeling. The record starts off really full on and then by the end of it I have come to some kind of resolution.

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Maybe I was trying to cheer myself up; songs can be like little messages to yourself sometimes. Carey spoke to Matt Petherbridge about growing up in the music industry and giving David Guetta a run for his money. Are you touring? Actually, this is the studio month for me. What motivates and inspires your creative process? The main thing that inspires me is playing live and seeing what the people in the clubs are into and what they want to hear. Will you be road testing any new material at the festival? Yeah, of course! Your songs regularly appear on dance music compilations for labels such as Ministry of Sound and Vicious.

Have you ever considered making a full Ian Carey Project album? Since David Guetta started working with the urban artists, his career has really taken off over in the US. As a child, you toured with your father, who was a live sound engineer for bands such as Kool and the Gang and the Duke Ellington Orchestra. How did you enjoy growing up in the music industry? Those are just two of many, many artists he toured with back in the 70s and 80s. I was touring with my father from a young age; it gave me a good perspective on a career in the music industry. When I was 18, I started DJing, I dropped out of university, and since then my whole focus has just been music.

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As an up-and-coming artist, how difficult was it to release your very first single? Back then, if you made a good record that was clubworthy, you could get it signed no problem! Now everybody has the tools to make music, everybody can sell it online. Your past tour schedules read like the ultimate tour package! Do you often get to see the sights on tour? If you could choose anyone, alive or dead, who would be your dream collaborator?

So does Michael Jackson. Thriller was the first real pop album that I had as a kid. Just be tenacious! Make music and play gigs and get your name out there, really be relentless about it. How was Splendour? I read that you guys joined Mumford and Sons on stage for one of their songs.

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Yeah mate, that was incredible. Had any of you guys been before as punters? For me, this was the first Splendour experience. I think a couple of the guys had been along before, at least to one or two. We got ourselves right in there and we camped amongst the punters.


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  8. We felt like we were just at the festival, to be honest, because we played on Sunday in the early afternoon. We got up there on Friday night and we just hung around and went along to different shows across the course of the weekend. There seems to be a fairly public chemistry between the bands and artists playing the style of music Boy and Bear plays. Is this the case, or are people reading too much into it? We really have gotten along well with the other bands. All of us met Marcus Mumford over there, then they came here and we played with them here. But it expands into the Australian scene,.

    On the surface though, Boy and Bear has only been going for just over a year. New Young Emperors Coming off their debut EP, With Emperor Antarctica, folksters Boy and Bear have been juggling writing and recording with a hectic touring schedule supporting some of the biggest acts on the international stage. Jon Hart, multi-instrumentalist in the Sydney five-piece, chats with Nick Bielby about making friends, playing festivals and hearing Boy and Bear songs on the radio. By a lot of standards, the rise of Boy and Bear seems to be happening quite rapidly.

    How have you guys been dealing with this? Was this a conscious decision? Yeah, I think it was. It seemed sort of natural to make use of the fact that everybody in the band can sing. Any word on a full-length album? With Emperor Antartica is out now through Island Records. Dominic, who arranges our harmonies. He studies their harmonies. We spent a lot of time rehearsing harmonies.

    Was the album conceived as a night record? How does that make you feel? We did it independently, but they just picked up that song through Triple J Unearthed. What was it like working with Scott? It was really fun! Little Red has four songwriters. How did this inform the creative process for the new album? Remember Me Two years after their infectious debut release, Listen to Little Red, Little Red have re-emerged with a more refined and soulful second album, Midnight Remember. They bring songs to the band, with the melody and the chord progression and then we just get up and play.

    Each one of us has different. Did the band approach the use of harmony in a different way this time around? On our first album, there were big harmonies everywhere… we were obsessed with it! The Beach Boys are the biggest influence on. You guys are touring around Australia until the end of the year. Will you be touring overseas?

    We are definitely going overseas. So many bands just compact their overseas shows into big cities. Midnight Remember is out now through Shock. Follow us on Twitter. At no point does this effort come off as overblown or insincere and the record is truly a kaleidoscopic listening experience. Expect a big for Birds of Tokyo. The EP sees Bull move away from his trademark soul sound and more towards a pop-rock product, which proves to be a step in the right direction, as the results are quite enjoyable.

    If You Have No Shame takes the genre of punk and tears down all the unnecessary frills. Gone are the screaming and violent lyrics, resulting in a true-to-form punk album that contains the traditional essence of the genre. The Shake Up takes us back to the good old days of Sonic Youth and The Saints with their debut and should be commended on their efforts. The potential for for the band to become a mainstay in Australian music is all over this release. The record moves from one could-be-single to the next without lull, fault or failure. This bunch of songs is both catchy and satisfyingly strange without over-doing it.

    The record speaks volumes of itself and its creator. I Believe You Liar is simply a pleasure from start to finish. A real slow burner of an album — but it is well worth the effort. No doubt Messenger will be a much critic-hyped affair so, brace yourself for more Dylan analogies. I say that because the band has already received flack for their new record. Hurley sees Weezer take a flashback to their earlier sounds — grinding rock guitars and quirky lyrics wrapped up in catchy pop sensibilities.

    It will, however, compel you to get up and dance, rock out, bop your head or tap your foot. Hurley will move you. Inspired by the 80s rather than the 50s and 60s, Little Red teamed up with producer Scott Horscroft The Presets, Sleepy Jackson, Silverchair to create a slicker, more spacious pop delicacy. The album flows with a moody intensity whose songs, all covers, are treated with tender care by Plant and chief collaborator, Patty Griffin. The centrepieces of the album, however, are the two tracks sourced from U.

    I was excited to see what the fuss was about, and at first, I was disappointed. However, on further listens, their latest offering has grown on me. A lot. Sometimes the Stars see The Audreys dabble in jazz-infused folk music perfect for that lazy Sunday afternoon with a glass of wine and contemplating the world.

    It takes you to time and place that you never knew existed. This is a beautiful and delicate album. It gets better with each listen, as it slowly reveals more of itself. Every song has its own life, breath and energy; built upon heartbeat percussion, guitar riffs that crash upon your chest, inundating your senses, and fervent vocals dripping with emotion.

    There are elements that are recognisable from some of their previous work, while at the same time a completely new sound is introduced. However, there are also sounds on the album that are so different from anything that they have ever done before. Overall, the album is superbly crafted and sees Linkin Park return to the top of their game. The difference comes from the breadth of songwriting and musical styling that, no doubt, comes from the freedom of a solo project. However, The Sword are one of the best. Singer, J. Cronise begins Warp Riders channelling Ozzy although, in the later tracks he adds some colour reminiscent of the great Phil Lynott.

    Frontman M. Instead of ending in a whimper like Led Zeppelin did 30 years ago, Avenged Sevenfold have created a record laced with ruminations of life and death, confronting their grief and mortality on Nightmare. If they choose to disband after their touring commitments, it would be a damn shame. His sophomore solo album, Imperfect Harmonies, includes 11 songs that explore the frustrations, contradictions and injustices encountered within his life, and he does so in such epic proportions with his trademark falsetto voice.

    Both of these tracks do justice to the musical standard that he has created for himself as a solo artist. The five-track collection has both earthy grooves about seashells, love and money; as well as grungy tracks straight from the garage. Without the typical bongo and steel drumming usually found in all things reggae, One Jonathan rely upon dynamic vocals and distorted guitar to assume their beach-bum, lie-in-the-sun persona. That is for free in a cheap bar and after a few drinks.

    For the most part, it is bland and repetitive. Quality pub music is the most generous title that comes to mind. This gorgeous tale, of what I can only assume is lost hope and loneliness, has genuine feeling — something the album generally lacks throughout. It goes without saying that music and fashion go hand-in-hand, but to try and make a business out of this relationship is not necessarily an easy move.

    With Abicus celebrating a decade on Darby Street, Cooks Hill, it feels an appropriate time to ask founder Tiffany Minell about how to make the fashion-music marriage work. By Kevin Bull. When the original idea of opening a clothing store in Newcastle came upon you, what did you imagine?

    Fashion was very new to us at the time. We opened in with very little start-up capital and only a small rack of clothes and a go-to selection of CDs and vinyl. Why Darby Street? Darby Street had such a fantastic vibe to it. Darby Street was much quieter, there were less retail and less eateries. Over the years, office spaces have been converted and old housing has been demolished to make room for the demand of new commercial spaces. As a small business owner, and specifically a clothing store owner, what were the hardest obstacles in these early days? Stock purchasing has always been somewhat of a gamble and obstacle.

    Not outlining a budget when ordering in the early days often led to over spending, in turn being over stocked. Are they the same difficulties as you have now? Absolutely, fashion buying is very difficult to get per cent right! Often we order six to nine months in advance. Knowing the specific size break, colour and styles of complete sell through items is tricky. Over time it gets much easier to gauge but, I still buy some questionable styles!

    What are you looking for in a label to stock? It amazes me just how many new labels are popping up every other week. What is your opinion on the state of the Australian fashion industry? I think the Aussie fashion industry is thriving again, which is a great feat considering many retail stores and clothing labels ceased to exist after the GFC. There are many inspiring individuals out there involved in all areas of fashion styling, photography, blogging, retail and designing.

    Was selling music always part of the plan? Yes, it definitely was. The initial love was music. I previously worked in music retail, interviewed and photographed bands as well as wrote my own zine. My ex-business partner previously had a music retail store and she knew music alone was a hard slog due to such minimal margins, so then fashion was thrown in to the mix.

    When you think about it both music and fashion trends work hand in hand.

    Brazilian Jive

    Vinyl features prominently in the store. What is the market for vinyl like these days? Vinyl has been a strong seller for us over the years. We expanded our selection and it has paid off. Vinyl sales worldwide have actually increased dramatically over the last few years. Many LPs now come with MP3 downloads, they look so pretty and sound amazing also. Abicus is at Darby Street, Cooks Hill. Phone 02 Yet 38 years after their breakup it is their music that is most remembered by their fans, and by Cook and Clifford. When Doug and I started the Revisited project, we had no idea how many new fans we had accumulated over the years.

    That was our biggest surprise. In fact, he took them to court over it. We did it and we knew we were doing the right thing. We were on all of those records, we gave per cent of what we had to offer. We did prevail and this is our 16th year of doing this and people love it. Early on, we would do in-store promotions and the biggest crowd were teenage girls, a lot of them came because of their families. The question that everyone wants to know is if you have ever been asked to wear the uniform in the bedroom? Never… never laughs. Are you looking forward to be heading back to Australia?