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10 film soundtrack moments that’ll have you crying in your popcorn

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Please log in with facebook to become a fan. Report an error, omission or problem: Message:. Friday 8th April Music and film go together like Batman and growling. The emotion in the drama is boosted by sympathetic treatment from the soundtrack, so that when an upsetting situation meets the right musical accompaniment, it will provoke a mass outbreak of sniffles.

Dwight Yoakam - Gone (That’ll Be Me)

BBC film critic Mark Kermode a self-confessed cinema sobber knows this too well, and it's a cornerstone of his new Radio 2 series Celluloid Jukebox. This is a collection of songs and soundtrack moments that have transformed sad situations into tiny tragedies, or loaded happy events with significance until they become overwhelming.

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This can be because a perfectly apposite and familiar tune has arrived at precisely the right moment, because a musical visionary like John Williams has created something especially heartbreaking, or even because a really big movie about a historical calamity needs a really big tie-in hit single to help promote it. The gulf between stage musicals and films can be an awkward one to leap over for audiences. Every note has to ring perfectly true to the plot, or the entire edifice collapses in a puff of cringe, and that's the kind of intense scrutiny most non-singing films would struggle with too.

It also helps that the story is entirely unfanciful and rooted in the very real horrors of 19th century France, and that the songs pull no punches either. I Dreamed A Dream is a song of despair, a moment of taking stock in which Fantine ruefully examines her youthful ideals against the harsh reality of her life, and rather wishes she hadn't.

Gone (That'll Be Me) Chords - Dwight Yoakam - Cowboy Lyrics

Julie Andrews. As composer Neil Brand explains in this clip, melancholy is a tricky emotion to introduce in a children's film, especially one that will go on to make up preposterous words Supercalifragilisticexpialidocious and show the cast dancing with cartoon penguins. And yet Disney proved themselves to be masters of the art, from Dumbo's utterly devastating Baby Mine the song Dumbo's mother sings to him from her prison wagon to Frozen's Do You Want to Build a Snowman? The soundtrack to Mary Poppins is riddled with sniffly moments, including the mournful Chim Chim Cher-Ee , but it's Feed The Birds that has the power to root fidgety audiences to their seats.


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Mark Kermode is equally unequivocal in his praise of this song in particular: "I own a very battered copy of the soundtrack which was given to me as a Christmas present many decades ago Sometimes you don't need the context of a story to get the full picture from a film soundtrack. John Williams' theme from Schindler's List carries all the grand tragedy of the film's horrific subject matter - the Holocaust - in its melody. It's a tune that, with its searing violin, invokes the grand melancholy of Eastern European folk music and Jewish traditional music too, but played with enormous weight, as if this is the only conceivable way of expressing a huge and crushing hurt.

It's the kind of melody that would evoke that feeling even if the film had never been made. Although its appearance at the very end, played modestly on piano while the camera tracks across a path made from Jewish headstones, gives the audience a chance to exhale, and breathe the gloom out slowly. Meryl Streep. However, it's Slipping Through My Fingers, a lesser-known meditation on the dying days of motherhood from their album The Visitors, that carries the greatest emotional wallop in the film.

Seth drowned. But he woke up. And now he's stranded is some parallel universe that looks exactly like the town he left, except it's empty. It just makes you question eveything you ever knew. I love all of his books but I would even say this might be my favourite book ever and considering how many books I read that is insane. Set amidst the French Revolution, this classic keeps you guessing through cases of mistaken identity and fake-outs. A lawyer finds out his own son in linked to a murder case he's prosecuting.

Is everything as it seems? In this epic fantasy, a queen allows herself to be held captive to protect her people. But there's more to the arrangement that meets the eye. Then the ending of the last book completely surprised me. Get the trilogy or get the audiobooks. Anna was conceived for the purpose of donating blood and organs to her sister, but she takes fate into her own hands to sue her parents for the rights to her own body. What follows is truly shocking. Still upset that the movie changed it.


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